Willmott Dixon

WEST YORKSHIRE GETS MOVING WITH COMPLETED £21M LEISURE CENTRE

A STATE-OF-THE-ART £21million sports and leisure facility has completed in Pontefract, West Yorkshire thanks to leading architecture studio GT3 Architects and national contractor Willmott Dixon. Aspire@ThePark offers state-of-the-art sports facilities to five towns surrounding Wakefield city and rivals that of private leisure centres, bringing world-class facilities to the local community.

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Build for the future, rediscover the past

Preparatory work for a £10.9m Oxford City Council housing development has unearthed fascinating glimpses into Oxford’s past. Council housing company Oxford City Housing Ltd (OCHL) and preferred principal contractor Willmott Dixon expect to start work next month on building 36 flats in the city centre. The development site is probably

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Willmott Dixon Interiors completes National Gallery refurbishment

Willmott Dixon Interiors has furthered its track-record for transforming the interior of iconic London buildings, with the construction of new office accommodation at the Grade I-listed National Gallery. The fit-out and refurbishment specialist contractor has delivered additional space and state-of-the-art facilities in the east ground floor and part of the

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Works start on key SEND schools in Lincolnshire as investment continues

Four Special Educational Needs and Disabilities (SEND) schools in Lincolnshire are set to be expanded as part of Lincolnshire County Council’s £86 million investment programme – to improve and develop special schools across the county – landscape architect Influence has announced. Working alongside contractor Willmott Dixon, Newark-based Influence is providing

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WILL COVID-19 CHANGE THE FUTURE OF BUILDING DESIGN?

THE IMPACT of Covid-19 on every aspect of life is undeniable. As the pandemic began to spread throughout March 2020, no one could have foretold the ways in which this disease would change society. One industry that has remained open throughout lockdown and been forced to quickly innovate is construction

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SES Engineering Services embarks on latest blue light project

Leading national engineering specialist, SES Engineering Services (SES), has announced it is to commence work on its latest state-of-the-art custody suite project with lead contractor, Willmott Dixon. Working closely with both the contractor’s team and Nottinghamshire Police, SES has been appointed to deliver a full range of MEP services on

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Tarkett recognised for its commitment to sustainable practices

Tarkett has been recognised for its commitment to the environment at the Willmott Dixon Better Together Supply Chain Awards. The leader in innovative flooring solutions picked up the Sustainability award. This award acknowledges the supply chain partner who works closely with Willmott Dixon to deliver sustainable initiatives across its project

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Latest Issue
Issue 325 : Feb 2025

Willmott Dixon

WEST YORKSHIRE GETS MOVING WITH COMPLETED £21M LEISURE CENTRE

A STATE-OF-THE-ART £21million sports and leisure facility has completed in Pontefract, West Yorkshire thanks to leading architecture studio GT3 Architects and national contractor Willmott Dixon. Aspire@ThePark offers state-of-the-art sports facilities to five towns surrounding Wakefield city and rivals that of private leisure centres, bringing world-class facilities to the local community. As well as a new 100 station fitness suite and multi-use studio, the scheme also boasts a 10-lane 25m swimming pool, climbing zone, café, and full size 3G football pitch. The project was part funded by Sport England and had to meet detailed criteria around their SOPG aspirations. The scheme was designed by GT3 Architects – following in-depth consultations with local sports clubs, residents, and community groups to ensure the building met the needs of the community – and constructed by Willmott Dixon for Wakefield Council. Mark Gowdridge, director at GT3 Architects, said: “This scheme presented a great opportunity to create a long-standing legacy for Wakefield, Pontefract, and the surrounding areas. From schematics to completion, we employed our Community+ service to ensure that the scheme broke the traditional mould for leisure centres and offered something different through design. “The vision was to create a connection between the internal and external spaces from a wellbeing and sport activity perspective. These aims have been met and the project team have done an amazing job. “Collaborating with Willmott Dixon on Aspire@ThePark really helped us to ensure the project ran smoothly and we could deliver a wide range of facilities within a unique and interesting design.” Sitting in the heart of Pontefract Park, the centre’s gym and sports pitches capitalises on the stunning park views and surrounding land, much of which has been preserved to maximise on the existing green space. The design, which utilised a natural palette to blend the building into its surrounding, features a complex curved façade comprised of vertical timber panels. Curved windows provide varying levels of visibility for different areas of the facility and connect the space, creating a focal point for social interaction. Cllr Jack Hemingway, Deputy Leader of Wakefield Council, said: “I’m delighted with how the plans have come together and this is an excellent addition to the district’s leisure offer, giving residents the purpose built, state of the art facilities they deserve. People will be able to access sport, recreation and wellbeing activities at the centre and the wider park so they can enjoy healthy lifestyles. This is so important for our residents and I know that this facility will be used and enjoyed for many generations to come.” Procured through the Scape framework, Aspire@ThePark is the latest in a series of leisure schemes worth more than £200m that Willmott Dixon has delivered in the last three years. Anthony Dillon, managing director for Willmott Dixon in North, said: “This really is an exciting and important facility built by and for local people, and we’re proud to say we have invested more than £15.7m of the project spend with businesses in the local area. “We think the local community will be proud of Aspire@ThePark for generations to come. The creation of top-quality leisure facilities to encourage health and wellbeing are vital to help our communities thrive. Aspire@ThePark combines that with a new community space that will bring people together.” The development has recently opened its doors to the public in line with government guidance. For further information visit www.gt3architects.com or join the conversation over on Twitter @_GT3Architects

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Build for the future, rediscover the past

Preparatory work for a £10.9m Oxford City Council housing development has unearthed fascinating glimpses into Oxford’s past. Council housing company Oxford City Housing Ltd (OCHL) and preferred principal contractor Willmott Dixon expect to start work next month on building 36 flats in the city centre. The development site is probably best known to current Oxford residents as that of former homeless hostel Lucy Faithfull House, built in the 1970s and demolished in 2018. However, an archaeological excavation carried out between April and June by MOLA (Museum of London Archaeology) uncovered evidence of Oxford’s medieval past. Blackfriars The Dominican Order (Blackfriars) first came to Oxford in 1221 and established their first friary near what is now Oxford Town Hall.  Lucy Faithfull House sat on the site of the Blackfriars’ second friary, established in 1246 in what is now the St Ebbe’s area of Oxford. This was an unusually large friary which functioned as a college – or Studium Generale – for the order, training students from across Europe in theology. It was also head of one of the four visitations into which the English province of Blackfriars was divided. Like other monastic houses in Oxford, Blackfriars came into rapid and repeated conflict with the university. However, its death knell came with the dissolution of the monasteries by Henry VIII in 1538. Dismantling of the site began not long afterwards. The Dominican influence in Oxford persisted beyond medieval times. While the Friars area did not survive the post-WW2 clearance and redevelopment of St Ebbe’s, evidence of the Blackfriars’ importance in Oxford still lives on in the street names of Friars Wharf, Preachers Lane and Blackfriars Road. The Blackfriars did not return to Oxford until the 1920s, with Blackfriars Hall joining the University of Oxford as a permanent private hall in 1994. The new 36 flat development will reference the Blackfriars’ black and white coat of arms by using light and dark building materials throughout. Excavation and findings The excavations uncovered parts of the west range of the main cloister and the west end of the friary church, revealing sequences of external and internal walls and floors and nearby rubbish pits. Finds included fragments of moulded stone, a 13th or 14th century decorated floor tile from the cloister and painted glass from the west end of the church. A stone coffin was discovered west of the church, along with other burials in the northern part of the site. The dig also yielded evidence of horn cores indicating the likely use of the site as a tannery after dissolution, as well as stone lined waste pits and pottery dumps belonging to the early 19th century housing that later occupied the site. The excavation has now been backfilled. Once construction is underway the impact of the development on the remaining walls and waste pits will be reduced by careful foundation design, with the stone coffin and other burials protected below shallow ground beams. Following analysis by MOLA specialists, artefacts recovered at the site will be donated to the Oxfordshire Museum for storage and potential display. The council hopes it may be possible for them to be put on temporary display at the Museum of Oxford after it reopens in September. Lucy Faithfull House Initial planning permission for a Church Army hostel that became Lucy Faithfull House was granted in 1972, with construction beginning the following year. The building was used as supported accommodation for people experiencing rough sleeping until it was decommissioned by Oxfordshire County Council in 2015 as part of a round of funding cuts. When the hostel closed in February 2016, its 61 beds were replaced by 62 beds provided in shared houses across the city. Oxford City Council acquired Lucy Faithfull House in 2017. As the building was in a bad state of repair and poorly configured for modern use, the council decided it was no longer viable as hostel accommodation and decided to redevelop the site for much-needed housing. Demolition began in April 2018 and was completed that August. The 36 flats on the redeveloped site will be in a single block of four to six storeys, which will include 15 council homes let at social rent, eight shared ownership and three homes at affordable rent. The remaining 10 homes will be for market sale. Lucy Faithfull herself was a social worker, children’s campaigner and founder of the Lucy Faithfull Foundation, a nationwide charity working to protect children from sexual abuse. Joining Oxford City Council as a children’s officer in 1958, she was appointed as director of social services in 1970 and retired in 1974 as local government reorganisation put social care in the hands of a new tier of county councils. She was awarded an OBE in 1972 and became Baroness Faithfull of Wolvercote when she accepted a life peerage in 1976. As Baroness Faithfull, she played a key role in the passage of the Children Act 1989 and later helped to set up the All-Party Parliamentary Group for Children. She also served as a trustee for a number of voluntary organisations, including Barnardo’s and the National Children’s Bureau. She died in 1996. Comment Councillor Alex Hollingsworth, cabinet member for planning and housing delivery, said: “History is literally underfoot in Oxford and excavation on the Lucy Faithfull House site has yielded new insights into our city’s medieval past. The surviving archaeological remains will be protected below the flats for future generations to investigate with new techniques and new questions about Oxford’s rich medieval history.” Oxford City Council archaeologist, David Radford, said: “The former Lucy Faithfull House proved to have been built on extensive modern foundations. Nevertheless, the area in the former courtyard proved to be well preserved and the work by MOLA has produced important new information. I am especially pleased about the details we have learnt about the internal layout of the west range of the friary, which certainly surpassed our initial expectations.” MOLA director of developer services, Sophie Jackson, said: “This year marks the 800th anniversary of

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CONSTRUCTION COMPLETES ON NEW WARWICK ARTS CENTRE IN UK’S CITY OF CULTURE

NATIONAL contractor Willmott Dixon has completed work in June on the new and improved Warwick Arts Centre situated on the University of Warwick’s campus.  The Arts Centre now boasts a large new building with a number of newly created spaces including three digital auditoria with high-end digital projection and sound, as well as a ground floor gallery to exhibit contemporary art, sculpture and photography. The building also features a new foyer offering a larger, more environmentally friendly and attractive entrance for visitors, in addition to a new restaurant and bar to ensure the complete experience. The project also involved the refurbishment and upgrading of the existing building. The £25.5 million investment in Warwick Arts Centre was supported by an award of £4.2 million in National Lottery funding from Arts Council England and is a key venue in Coventry’s year of UK City of Culture in 2021. Designed by Ellis Williams Architects with Bond Bryan as delivery architect and project managed by Turner & Townsend, the project aims to make Warwick Arts Centre the region’s leading cultural centre and a place where creativity, collaboration and innovation thrive.  Peter Owen, managing director at Willmott Dixon, said: “We are very pleased that, after a difficult time for the much-loved arts industry, Warwick Arts Centre will later this year be welcoming audiences back to a space that supports and enhances everything the arts has to offer. The project involved a number of challenges, not least the constraints of a tight site in the middle of campus and the changing requirements related to COVID-19, so a collaborative approach was vital. “We have a strong relationship with the University of Warwick, first established during our work on the University’s Oculus Building, then their Sports Hub and Wellness Centre in 2019, and earlier this year the IBRB. This means we are able to truly understand their campus vision and help make it a reality.  “We are very proud to have become a trusted advisor to the University and to have built a relationship which allows us to contribute to the wellbeing and development of not only students but also the people of Warwickshire and beyond.” Throughout the project, the equivalent of £1.8 million of social value return on investment was delivered to local people by way of a number of community initiatives. Over 17,000 hours was spent supporting local young people with work experience opportunities, as well as 20 weeks with the University’s civil engineering students. Warwick Arts Centre is now a hybrid consisting of new and old, following the demolition of an existing section of the site. By matching the existing build and bringing together the new elements of the project seamlessly, there are now over 20 different roof levels on the site.  Bruce Raw, Birmingham studio director at Bond Bryan, said: “We’re delighted to see Warwick Arts Centre completed. Our team are deeply passionate and proud of our growing presence and relationships across the West Midlands and this project has been at the heart of that drive for the last two years. “From start to finish the project has been a really positive team collaboration between client, end-users, architects, project managers, consultants and the contractor – with everyone all pulling in the same direction on what has been a very complex project on a constrained site, working closely together to solve challenges.” With the project beginning in 2019, followed by the closure of leisure, arts and entertainment venues for much of the last two years, the venue is all set to welcome audiences for shows beginning from October.   Commenting on the completion of Warwick Arts Centre’s redevelopment its Director, Doreen Foster, said: “Today is a fantastic day for Warwick Arts Centre as we are now one step closer to welcoming visitors back to their arts centre. We cannot wait for our audiences to enjoy the experience and make new memories as they engage with the exceptional range of arts and culture that has always been our hallmark, including in our new spaces – such as our new three screen cinema, restaurant and the reimagined Mead Gallery.  “With people throughout the UK and Europe set to visit our city to mark Coventry’s year as City of Culture, 2021 is set to be an exciting time for arts and culture in our region – and I’m delighted that we will be part of its success. I like to take this opportunity to thank everyone who has been involved with the redevelopment of Warwick Arts Centre for making this possible and ensuring that audiences and visitors will be able to join us for decades to come. We’re back, bigger and better than ever, and our doors will be open wider than ever before.” The University of Warwick’s Vice-Chancellor, Professor Stuart Croft, said: “Sat right at the heart of our main campus, Warwick Arts Centre has been an integral part of the cultural life of our University and region for almost five decades. As we celebrate Coventry City of Culture 2021, it is wonderful that Warwick Arts Centre will soon be open again for audiences and visitors to come and enjoy all that it has to offer.” Robert Freeman, Director of Ellis Williams Architects, said: “This is the culmination of many years of planning and working with Warwick Arts Centre and the University of Warwick and we are really excited to see the project completed. “The biggest design challenge we faced was to retain the unique character and top-light of the original Mead Art Gallery in the new galleries that was much loved by artists, whilst also providing new galleries at ground floor creating more accessibility to audiences and at the same time adding the three new large digital auditoria all on the original site. “We are extremely pleased that Willmott Dixon has completed the renewed Warwick Arts Centre in time for it to be part of Coventry City of Culture 2021.” Warwick Arts Centre is now taking bookings for shows from October. To find out more and to make a booking, please

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Willmott Dixon Interiors completes National Gallery refurbishment

Willmott Dixon Interiors has furthered its track-record for transforming the interior of iconic London buildings, with the construction of new office accommodation at the Grade I-listed National Gallery. The fit-out and refurbishment specialist contractor has delivered additional space and state-of-the-art facilities in the east ground floor and part of the existing basement areas of the world-famous gallery on Trafalgar Square. The scheme, called the Accommodation Hub, has created a six-floor courtyard infill extension that will provide offices for over 250 members of staff who will be relocating from existing offices in the neighbouring St Vincent House and the Gallery’s Wilkins Building. The back of house works included the removal of partitions, subdivisions and lowered ceilings throughout the central ground floor area and the creation of a modern and flexible working environment with high ceilings. Two covered atria have been created in the office lightwell and Belvedere lightwells, and new floors have been inserted in the eight-storey office lightwell to provide new office space. The basement areas have also been overhauled to provide additional storage and meeting space and the original brickwork of the extended part of the building, designed by Edward M Barry, has been sympathetically restored. It is the latest project to be completed by Willmott Dixon Interiors at the National Gallery, following the contractor’s complete refurbishment of Gallery 32, which reopened to the public as ‘The Julia and Hans Rausing Room’ in July 2020. One of the largest and most visited rooms of the National Gallery, it displays 17th-century Italian paintings by artists including Caravaggio, Artemisia and Orazio Gentileschi, Guido Reni and Guercino. Graham Shaw, managing director of Willmott Dixon Interiors, said: ”It has been a real privilege to deliver further enhancements to the National Gallery. The creation of new and modern office accommodation will greatly benefit the gallery’s existing workforce, providing significantly upgraded facilities that will offer opportunities for flexible working and collaboration. We’re incredibly proud to have delivered this project following the successful full refurbishment of Gallery 32 last year. It further demonstrates our track-record for transforming historic buildings and improving visitor experiences for years to come.” Delivered by main contractor, Willmott Dixon Interiors, the project team included architects, Purcell; structural engineer, The Morton Partnership; Andrew Reid & Partners as services engineer; Faithful+Gould as QS and commissioning manager; fire consultant, IFC; planning consultant, Montagu Evans; and acoustic consultant, Waterman Acoustics.

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Work starts on refurbishment of Innovation Suite at Arts University Bournemouth

Willmott Dixon Interiors has begun work on a £200,000 project to deliver a new suite within the state-of-the-art Innovation Studio at Arts University Bournemouth (AUB). The national fit-out and refurbishment specialist contractor will refurbish an existing administrative space at AUB to create a c.3,000 sq ft Innovation Suite that will include a new reception area to the art incubation facility studio. The Innovation Suite will deliver collaborative work and social space for local businesses, start-ups, CPD delivery and post graduate students working in the innovative creative, cultural, engineering and manufacturing sectors. It will also house specialist digital and clean digital fabrication equipment supplied by the university’s Innovation Resources project. Willmott Dixon Interiors will create a new collaborative reception space and workshop rooms at the Innovation Suite, including AV, body scanner, 3D printing and textiles facilities. The project will see the installation of new mechanical and electrical services and the refurbishment of existing seating areas. Works will include new floor finishes and decoration, as well as new furniture and a timber feature wall. The Innovation Suite project will use £230,000 in Dorset LEP Local Growth Fund allocation and £65,000 in AUB match funding, and was awarded through the Pagabo Refit and Refurbishment procurement framework. It has been designed by architects at Willmott Dixon Interiors, with Selway Joyce as project manager, quantity surveyor and employer’s agent. Graham Shaw, managing director at Willmott Dixon Interiors, said: “AUB has justifiably developed a reputation as a top sector specialist and leading arts university for the creative industries. A new Innovation Suite will enhance the already impressive facilities available through the Innovation Studio. We look forward to delivering a space that supports local businesses and aspiring entrepreneurs and further contributes to the successful growth of the digital and creative sectors in the region.” First established in 1885 as a specialist art institution, AUB is now the UK’s number one specialist university for employability, according to The Times Higher Education’s Teaching Excellence Framework (TEF) and is ranked as the UK’s top specialist art and design university by The Sunday Times Good University Guide 2021. Willmott Dixon Interiors is one of the UK’s specialist high-quality interior fit out and refurbishment contractors. It has delivered a wide range of projects across the higher and further education sectors, including a £39 million refurbishment at London South Bank University’s London Road Building and the design and refurbishment of space across the Waterlooville Campus at Havant & South Downs College.   For more information, visit: www.willmottdixoninteriors.co.uk

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Works start on key SEND schools in Lincolnshire as investment continues

Four Special Educational Needs and Disabilities (SEND) schools in Lincolnshire are set to be expanded as part of Lincolnshire County Council’s £86 million investment programme – to improve and develop special schools across the county – landscape architect Influence has announced. Working alongside contractor Willmott Dixon, Newark-based Influence is providing landscape design services to Willoughby School in Bourne, Eresby School in Spilsby, St Bernard’s School in Louth and The Priory School in Spalding. The council’s investment strategy seeks to create an extra 500 SEND school spaces across the county, to meet the increasing demand and to combat families having to make long journeys to school. Of the improvement works at the four schools, Willoughby, Eresby and St Bernard’s achieved planning permission in 2020 to construct extension buildings to existing sites, enabling more school places for pupils, as well as additional space for improved facilities. Works are now progressing on the £6.5million expansion plan for Eresby School in Spilsby, which will deliver five new classrooms, a hall, IT and science spaces, small group rooms, meeting spaces and hygiene facilities. Works also include enlarging the school’s car park, installing a canopy link, introducing new vehicle access points and fencing and landscaping around the site.  The £4.25 million works to Willoughby School in Bourne will see 74 new car parking bays provided, along with capacity for 20 minibuses and a new drop off and pick-up point at the start and end of the school day. New fencing, lighting and CCTV security systems will also be installed, with safe, segregated vehicular and pedestrian access routes included as part of the site design. Works at St Bernard’s School, Louth, will see the demolition of two existing buildings and construction of a new two-storey building, remodelling of existing buildings and the creation of additional car parking and hard play areas. Construction on the schools is due to begin early this year, with completion expected by early 2022. Plans for The Priory School, Spalding are nearing completion and are expected to be submitted for planning shortly. Shona Hatton, associate director at Influence, said: “We are proud to be managing the landscape designs of the extension and improvement plans for Willoughby, Eresby, St Bernard’s and The Priory Schools, in partnership with Willmott Dixon and Lincolnshire County Council and alongside their architects Kier Specialist Services. “The building works are part of the council’s ambitious investment plans to improve and expand SEND schools in the area, offering more places and improved facilities to children who will benefit hugely from having safe, engaging and enjoyable spaces to learn and interact.  “We have worked on a number of schools in the East Midlands, including other SEND projects, and it is especially rewarding to see plans come to fruition that positively impact the services and quality of education available within our local communities.” Nick Heath, director of delivery at Willmott Dixon, said: “We’re incredibly proud to be working on these amazing schemes. With only 20 special education schools currently operating in Lincolnshire, we want to do everything we can to increase school places across the county to allow students of all ages easier access to the education they deserve. Despite currently being in a national lockdown, the team will continue to operate by adhering to stringent safety procedures and enhanced social distancing measures. This optimisation of risk management means that we will be able to deliver the project to the agreed timescales and improve educational facilities for students across Lincolnshire as soon as possible. At Willmott Dixon, we pride ourselves on leaving a legacy in the local communities we work among; therefore we are delighted to be working in collaboration Influence to help Lincolnshire County Council establish a school system that provides education that is accessible to all who need it.” Cllr Mrs Patricia Bradwell OBE, executive member for children’s services, said: “We want to ensure that all children can access high-quality education, as near to their family and local community as possible. To help achieve that, we’re investing £86m in improving our special schools over the next few years. “Our ambitious programme will mean more pupils with SEND can attend a local school rather than having to travel large distances for their education, which will be of great benefit to both the children and their families. “I’m delighted to see construction getting underway at Eresby School and Willoughby School, and I look forward to seeing the projects progress.”

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Willmott Dixon Interiors delivers £2m refurb at Eastbourne General District Hospital

Willmott Dixon Interiors has delivered the refurbishment of a former maternity ward at Eastbourne General District Hospital in East Sussex that will provide improved facilities and more bed space for patients. The fit-out and refurbishment specialist contractor has undertaken the full refurbishment of almost 7,000 sq ft on the first floor of the hospital on behalf of East Sussex Healthcare NHS Trust. The £2 million project included the re-modelling and internal refurbishment of a former maternity ward, creating new shower rooms, toilets and 26 new beds for patients. Medical gasses have been installed, as well as new nurse stations and sluice and drug store rooms.   The 18-week project has delivered a decant ward to facilitate other hospital works, including an upgrade of existing fire stopping provisions. It also involved installation of new window fenestrations and cladding to the exterior building and courtyards. The project was completed in a live hospital environment with existing services unaffected and the hospital blue light route in operation at all times. Works were carried out to government Covid-19 safety guidelines and were accelerated to provide additional bedspace during the height of the pandemic. The remaining bedspace was handed over ahead of schedule to ease pressure on NHS staff. Graham Shaw, managing director at Willmott Dixon Interiors, said: “We are very proud to have delivered such an important project on behalf of East Sussex Healthcare NHS Trust. This project was undertaken in extremely challenging circumstances during the Covid-19 pandemic, which saw a large increase in hospital admissions. Its successful delivery owes much to daily collaboration between our team and staff at the hospital’s Pathology Lab to minimise disruption during construction and ensure that works were completed as quickly and safely as possible.” Willmott Dixon Interiors was awarded the contract through the Scape Major Works framework. As part of its delivery, the contractor met a series of key performance indicators for local spend and employment, including 78% of project spend within 40 miles of the site, 99% of project spend with SMEs and 99.9% of waste diverted from landfill. The company also recruited a local student to work on the project through a two-month paid internship in partnership with Falcon Green. Willmott Dixon has an impressive track record of working in live healthcare environments and enabling NHS Trusts and private healthcare providers to get better use of their facilities. The contractor has delivered a £10.2 million fit out and construction of a CCU at Harley Street Clinic, the full strip out and refurbishment of an emergency department at Chelsea and Westminster Hospital and delivery of a new Bariatric ward and 39 bed out-patient ward on behalf of Pembury Hospital NHS Trust. For more information, visit: www.willmottdixoninteriors.co.uk

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WILL COVID-19 CHANGE THE FUTURE OF BUILDING DESIGN?

THE IMPACT of Covid-19 on every aspect of life is undeniable. As the pandemic began to spread throughout March 2020, no one could have foretold the ways in which this disease would change society. One industry that has remained open throughout lockdown and been forced to quickly innovate is construction – and Matt Linekar and Stephen Moore from contractor Willmott Dixon have been at the forefront.  Gone are the days where you could enjoy a concert surrounded by tens of thousands of people, or hug those outside of your household as a friendly greeting. Instead, we now live in a world of social distancing and masked outings. But the impact of Covid-19 isn’t just those changes staring us in the face. There are more subtle, underlying ramifications that are yet to be explored completely – such as alterations in building design.  The question is, are Covid-related changes we are now seeing in building design here to stay, or a passing trend as the industry attempts to guide itself back to normality when the pandemic is over? A change in requirements  One of the biggest changes in building design is the importance that is now being placed on ventilation. The need for proper circulation and fresh air to reduce the risk of contamination has never been more prominent – especially in the education sector where large groups of students must move around the building during regular intervals. This requirement also means that designers must think about the importance of flexibility to be able to purge the air in classrooms, and also consider window patterns and wall fans and their impact on the acoustics of these rooms. The care sector is another one that must adapt to changing times and, again, consider the importance of ventilation in communal areas or corridors that could be the hub of cross contamination. Many care homes are now drawing on primary care regimes and lobbying rooms to protect infected patients, altering facilities to increase the safety of both staff and residents. But, with providers in these sectors already struggling to source funds and a potential vaccine set to hit the UK in 2021, many of these measures may not be instigated. Stephen Moore, preconstruction manager at Willmott Dixon, said: “We have seen a variety in responses from our customers, with some not wanting to make significant, long-term changes to a problem that is deemed to be short-term. Cost management is key when it comes to these alterations, but many businesses are struggling to weigh up the short-term benefits with the financial impact that it can have on the outgoings of a project.  “This response is being reflected by local authorities. Spatial problems are undeniable when discussing social distancing in schools, but councils don’t have the money, space or desire to make long-term changes to facilitate social distancing measures, and we are seeing many private sector companies take a similar stance. There is a focus for adapting operational policy rather than a significant change to buildings and the way they are designed to function.” Perfecting the process  It’s not just the elements of design that have been impacted by Covid-19, but also the process in which these designs are created. The informal nature of construction sites means that social distancing is often hard to maintain. With a mountain of competing factors to contend with – such as the need for team work, the variety of jobs that have to be completed simultaneously and strict time scales that have to be adhered to – contractors have had to make dramatic changes to ensure staff stay socially distant while working on projects. This has meant for many firms, including Willmott Dixon, that focusing on off-site fabrication has helped the design process.  Matt Linekar, head of building services at Willmott Dixon, said: “One of the key things that the Covid-19 pandemic has accelerated is off-site manufacturing and the different ways in which we might be able to utilise modern methods of construction (MMC).  “MMC is already a hot topic for the industry and the pandemic has simply enhanced this – and the last few months has given us the opportunity to explore the options in more detail and will no doubt continue to play a part in construction projects in the longer-term.” Long-term or short-term The construction industry is one that has never stopped working, so very quickly firms were forced to adopt new ways of working to help protect their teams and prevent the spread of Covid-19, all while ensuring that essential building projects did not stall.  Matt added: “Distancing on site – and within the wider community – is probably here to stay, so as an industry we are having to find ways to accommodate that, but whether or not there will actually be long-term design implications remains to be seen.  “The short-term response has been one of meeting practical challenges on sites and moving forwards with a different way of working, but the reality is that the construction industry is a very competitive marketplace – potentially even more so as the government has positioned the built environment at the forefront of the recovery strategy. “The government is encouraging a ‘build back better’ approach but there are inevitably cost implications associated with that and without legislation to demand improved standards and a force for change.” Should we change the approach to building design? There are potentially significant positives associated with a change in design focus, especially when you consider the environmental targets the UK is working towards and the impact more sustainable building would have.  Stephen added: “Moving towards a focus on whole life cost is an important first step – but that will rely heavily on customers adopting a shift in mindset, thinking about overall value rather than initial outlay. It’s challenging, especially against a backdrop of a damaged economy and already stretched budgets, especially within the public sector.  “Sustainability will be key, but that is something that has been put somewhat on the backburner for

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SES Engineering Services embarks on latest blue light project

Leading national engineering specialist, SES Engineering Services (SES), has announced it is to commence work on its latest state-of-the-art custody suite project with lead contractor, Willmott Dixon. Working closely with both the contractor’s team and Nottinghamshire Police, SES has been appointed to deliver a full range of MEP services on a new multi-million pound 50-cell custody suite, currently under construction on a former gas works site in Nottingham.  Serving Nottingham and the wider conurbation, the new building’s design is more befitting 21st century custodial needs and will replace an existing facility which was deemed to be too outdated to benefit from a refurbishment. In the past five years, SES has delivered five custody suites for multiple Police forces and as such gained extensive experience and a reputation as a leader in its field in the blue light sector. This experience, coupled with SES’ and Willmott Dixon’s well-established working relationship, will ensure that the project is delivered to exacting requirements as set out by the Home Office, where specific ventilation and comfort conditions within custodial spaces must be met. To meet these needs, SES will be required to install a high volume of complex building services to the two-storey building.  In addition to the cells, the building will also provide first floor office accommodation for police investigators and the custodial handling team.    Speaking about the imminent start on site, SES’ managing director, Steve Joyce, said: “I am delighted to be collaborating once more with Willmott Dixon on a key project for Nottingham’s Police and Crime Commission and Nottinghamshire Police. Our proven track record of delivering projects requiring highly complex building services, particularly in this type of custodial environment, will ensure that the installation will be completed in a timely manner and to the high standards required by the Home Office. “The facility will also deliver a more efficient building than is currently used for such purposes.” James Elliment, Willmott Dixon’s senior operations manager, added: “I am delighted with the progress that is currently being made on site and pleased to welcome SES and its team as we enter the next phase of construction. I believe the project will undoubtedly benefit from our shared experience of creating state-of-the-art custodial facilities throughout the UK.” SES is expected to conclude the project spring 2021.

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Tarkett recognised for its commitment to sustainable practices

Tarkett has been recognised for its commitment to the environment at the Willmott Dixon Better Together Supply Chain Awards. The leader in innovative flooring solutions picked up the Sustainability award. This award acknowledges the supply chain partner who works closely with Willmott Dixon to deliver sustainable initiatives across its project portfolio. Committed to “Doing Good. Together.” Tarkett’s has an eco-innovation strategy that is based on Cradle to Cradle® principles and promotes the circular economy, with the ultimate goal of contributing to people’s health and wellbeing, and preserving natural capital. One of the key reasons Tarkett was chosen as the winner for the award was for its Restart® Programme. The initiative is dedicated to the collection of post-installation and post-consumer flooring, with the aim of recycling and reusing it as a new resource. The award was collected on behalf of Tarkett by Mark Burton, Key Account Manager – National Frameworks. Simon Rogers, Marketing Director at Tarkett, commented: “Our aim is to create a future for all, where people and the planet prosper. To achieve this, we have developed a circular economy methodology whereby we responsibly source materials, combat global warming and improve indoor air quality and wellbeing through our products. Being recognised for our commitment to sustainable practices highlights the good we are doing and our positive impact on the environment.” For more information about Tarkett’s sustainability credentials visit https://professionals.tarkett.co.uk/en_GB/.

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