Regeneration Of Dee House Progresses CBRE has been instructed by Cheshire West and Chester Council to seek a development partner to be part of the regeneration of Dee House, a prominent and historic building that has been vacant since the 1990s. Forming part of the Chester One City Plan, the
Over 300 Iron Age ‘potins’ – or small coins – discovered on HS2 site in West London Video and images of the Hoard available: https://mediacentre.hs2.org.uk/resources/f/archaeology-sites-and-discoveries/greater-london-area-south/hillingdon-hoard Archaeologists working in West London on the HS2 project have uncovered a fascinating rare set of Iron Age potins, an early version of the coin,
Preparatory work for a £10.9m Oxford City Council housing development has unearthed fascinating glimpses into Oxford’s past. Council housing company Oxford City Housing Ltd (OCHL) and preferred principal contractor Willmott Dixon expect to start work next month on building 36 flats in the city centre. The development site is probably
Public asked to give views on key topics including access and inclusion, sustainability, heritage, and jobs People across the UK are being invited to tell the Houses of Parliament Restoration and Renewal Programme what they think about key aspects of the restoration of the nation’s Parliament buildings. The Palace of
Leading UK conservation specialist, DBR, restores the Palace of Westminster’s iconic 19th century flooring to its original splendour The Palace of Westminster was built during the Middle Ages as a royal residence to a number of famous—as well as infamous—monarchs. Over time, it became a meeting place for the first
Bristol-based construction firm Beard has completed work on a project to bring two thousand years of heritage to life, for visitors to the historic city of Bath. The Archway Project, comprising a new World Heritage Centre and Roman Baths Clore Learning Centre, has been handed over to Bath & North
Jewish people have had a troublesome history. They were taken into captivity by the Babylonians in the 6th century, occupied by Roman rule for hundreds of years, and even endured the terrifying Crusades that tore many religions and people apart. Of course, the most recent tragedy that the Jewish people
LIVERPOOL City Council has appointed a fab team to produce a landmark vision and investment strategy for the epicentre of Liverpool’s musical heritage. A team led by P-IE (Planit Intelligent Environments) has been chosen to deliver a Spatial Regeneration Framework (SRF) for the area around Mathew Street – home of
Regeneration Of Dee House Progresses CBRE has been instructed by Cheshire West and Chester Council to seek a development partner to be part of the regeneration of Dee House, a prominent and historic building that has been vacant since the 1990s. Forming part of the Chester One City Plan, the redevelopment of Dee House is a key aspect of the scheme and the Council is moving the project forward this year. CBRE’s UK Development Advisory team has been appointed to seek the right partner to bring the site back to life, with a shared vision to create a development of excellence to contribute to the long-term regeneration of Chester. Both Dee House and the site on which it sits have significant historical value. The site covers part of the area of the unexcavated Roman Amphitheatre discovered in 1929 and provides excellent views over the visible section of the amphitheatre, whilst the building is Grade II listed due to its special architectural and historic interest. Dee House is located to the south east of Chester City Centre adjacent to the City Walls and within close proximity to St John’s Church, the Roman Gardens and Grosvenor Park. The River Dee lies 100m south of the site. Its central location adjacent to the A5268 ring road (Vicar’s Lane) makes the site highly accessible and desirable. To help facilitate redevelopment and safeguard the integrity of the building, Cheshire West and Chester Council will be instructing vital works to stabilise key parts of the building. These are scheduled to commence this autumn and complete during early 2022. Alex Andrews, Associate Director, at CBRE Manchester, commented; “We are delighted to be appointed to work with Cheshire West and Chester Council to bring this exciting project forward. The preservation of historically significant sites is key to the long term regeneration of Chester and breathing life back into a site that has been redundant for over thirty years will not only enhance the immediate area, it will also add to the wider attraction of the city itself encouraging both tourists and locals alike to enjoy Chester City Centre at its very best.” Councillor Louise Gittins, Leader of Cheshire West and Chester Council, said: “The Council and the Dee House and Amphitheatre Working Group have the collective view that Dee House is an important historical asset for the city of Chester and should be redeveloped and modernised for the 21st Century, while retaining its historic appearance and unique characteristics. “It is a building with great potential in a prominent location in the centre of a well-known and historic city. Anyone who chooses to join the Council in investing in its future is sure to benefit, helping to transform it into a place visitors and residents can enjoy for many years to come.” Andy Foster, of Dee House and Amphitheatre Working Group, said: “After more than a year of deliberations and taking guidance from experts in the field of archaeological and historic building preservation, the working group concluded that Dee House should be saved and redeveloped. “We are keen to see progress this year and the plan is to prepare a planning application to seek permission to begin stabilisation work as soon as possible in the autumn, which will enable a long term end-use to come forward.”
Over 300 Iron Age ‘potins’ – or small coins – discovered on HS2 site in West London Video and images of the Hoard available: https://mediacentre.hs2.org.uk/resources/f/archaeology-sites-and-discoveries/greater-london-area-south/hillingdon-hoard Archaeologists working in West London on the HS2 project have uncovered a fascinating rare set of Iron Age potins, an early version of the coin, dating back to the 1st century BC. The hoard of over 300 potins is a significant historical find, and was discovered in Hillingdon in August last year (2020). The find may be recognized as “treasure” under British Law. ‘The Hillingdon Hoard’ – as it has been called – dates back to the late Iron Age, during a period of change as the Romans began to establish themselves in Britain and create Londinium. The potins are based on coins struck in Marseille, France, about 2,175 years ago, which bear the left-facing head of Apollo on one side and a bull charging right on the other. The use of these early coins spread across northern Europe. In England their use was commonly linked to Kent, Essex or Hertfordshire. The term ‘potin’ refers to the base metal silver-like alloy used in coins. It is typically a mixture of copper, tin and lead. HS2’s Head of Heritage, Helen Wass said: “At HS2 we are not only building for the future, we are also preserving the past. This is an exciting find for our team of archaeologists and provides us with more information about how our ancestors lived and settled in London. HS2’s unprecedented archaeological programme has enabled us to tell the stories of our history and leave a lasting legacy for future generations.” Historians are unclear what the potins were used for during the Iron Age, particularly as the exchange of goods and service, or bartering is thought to have been the main method of commerce at that time, nor why the coins were deposited where they were found. Archaeologists analysing the discovery believe the potins may have been to mark the boundary of a property or as an offering to the Gods – in a woodland clearing or near a sacred spring. It is not unusual for a hoard to be found in an apparently isolated location and they may also have been buried as saving hoards or as emergency hoards in times of crisis. The first series of potins produced in Britain, are known as Kentish Primary or Thurrock types, and are likely to have been made no later than 150 BC. Sometime before 100 BC, these rather bulky coins were replaced by thinner coins with more degenerate designs, now called Flat Linear types. Over a period of several decades, the Flat Linear potins gradually evolved into a wide variety of forms, with the depiction of the bull and the head of Apollo becoming more and more stylised. The Hillingdon Hoard is late in the Flat Linear sequence. A hoard of a similar size, the ‘Sunbury hoard’ was discovered in 2010 but the potins were dated much earlier in the Iron Age. Potins from late in the Iron Age, similar to the Hillingdon Hoard, have been found previously but in much smaller quantities, making this find very significant. The site in Hillingdon was undergoing archaeological excavation and analysis led by HS2’s enabling works contractor, Costain Skanska joint venture (CS JV) and the archaeologists involved were elated to make such a significant discovery. Following a storm, ground conditions changed, and revealed where the coins were buried. Describing the discovery, Emma Tetlow, now working as Historic Environment Lead for HS2’s main works contractor Skanska Costain STRABAG joint venture said: “We were coming to the end of our archaeological work on the site when we found a patch of soil that was a very different colour from what it would be expected to be. The patch of soil was dark greeny-blue which suggests oxidized metal, and when we checked more closely, we could see loosely packed metal discs. This is a once in a lifetime find, and allows us to expand our knowledge of what life could have been like in Hillingdon many centuries ago.” Because of the significance of the find, and the high number of coins, the local coroner was alerted. The coroner will determine whether the discovery amounts to ‘treasure’ after considering specialist evidence from the British Museum. The potins were removed from site for specialist cleaning, conservation and assessment. Records have then been sent to a specialist for cataloguing and further assessment to determine their origins and significance. In the London region, the oldest archaeology found by HS2 was dated to 11,000 years ago – a period known as the Mesolithic or Middle Stone Age. From this period, stone tools and artefacts have been found at locations which suggested people were living on the banks of the river. This would have provided a rich supply of food and water for these hunter-gatherers to exploit. Later evidence from the Bronze Age, about 4,000 years ago further indicates human activity near the river, with finds including cremations and a possible roundhouse. However, until the potins were uncovered no archaeological evidence of activity was encountered for almost another 3,500 years. The value of the hoard has not yet been determined, nor has its future location. Under the Treasure Act, the Coroner will determine whether the find constitutes Treasure and if a museum wishes to acquire the potins, on the advice of specialists at the British Museum the Coroner will conduct an inquest at which recommendations for the find will be made and a potential value placed upon it. The hoard was found during HS2 works on land that was occupied temporarily. HS2 is not making any claim on the hoard and under the Treasure Act archaeologists are not entitled to a share of any reward. HS2 developed an approach to the archaeological work in discussion with Historic England to ensure the site was carefully examined to find, protect or investigate important archaeology before construction begins. Duncan Wilson, Historic England Chief Executive, said: “They
Preparatory work for a £10.9m Oxford City Council housing development has unearthed fascinating glimpses into Oxford’s past. Council housing company Oxford City Housing Ltd (OCHL) and preferred principal contractor Willmott Dixon expect to start work next month on building 36 flats in the city centre. The development site is probably best known to current Oxford residents as that of former homeless hostel Lucy Faithfull House, built in the 1970s and demolished in 2018. However, an archaeological excavation carried out between April and June by MOLA (Museum of London Archaeology) uncovered evidence of Oxford’s medieval past. Blackfriars The Dominican Order (Blackfriars) first came to Oxford in 1221 and established their first friary near what is now Oxford Town Hall. Lucy Faithfull House sat on the site of the Blackfriars’ second friary, established in 1246 in what is now the St Ebbe’s area of Oxford. This was an unusually large friary which functioned as a college – or Studium Generale – for the order, training students from across Europe in theology. It was also head of one of the four visitations into which the English province of Blackfriars was divided. Like other monastic houses in Oxford, Blackfriars came into rapid and repeated conflict with the university. However, its death knell came with the dissolution of the monasteries by Henry VIII in 1538. Dismantling of the site began not long afterwards. The Dominican influence in Oxford persisted beyond medieval times. While the Friars area did not survive the post-WW2 clearance and redevelopment of St Ebbe’s, evidence of the Blackfriars’ importance in Oxford still lives on in the street names of Friars Wharf, Preachers Lane and Blackfriars Road. The Blackfriars did not return to Oxford until the 1920s, with Blackfriars Hall joining the University of Oxford as a permanent private hall in 1994. The new 36 flat development will reference the Blackfriars’ black and white coat of arms by using light and dark building materials throughout. Excavation and findings The excavations uncovered parts of the west range of the main cloister and the west end of the friary church, revealing sequences of external and internal walls and floors and nearby rubbish pits. Finds included fragments of moulded stone, a 13th or 14th century decorated floor tile from the cloister and painted glass from the west end of the church. A stone coffin was discovered west of the church, along with other burials in the northern part of the site. The dig also yielded evidence of horn cores indicating the likely use of the site as a tannery after dissolution, as well as stone lined waste pits and pottery dumps belonging to the early 19th century housing that later occupied the site. The excavation has now been backfilled. Once construction is underway the impact of the development on the remaining walls and waste pits will be reduced by careful foundation design, with the stone coffin and other burials protected below shallow ground beams. Following analysis by MOLA specialists, artefacts recovered at the site will be donated to the Oxfordshire Museum for storage and potential display. The council hopes it may be possible for them to be put on temporary display at the Museum of Oxford after it reopens in September. Lucy Faithfull House Initial planning permission for a Church Army hostel that became Lucy Faithfull House was granted in 1972, with construction beginning the following year. The building was used as supported accommodation for people experiencing rough sleeping until it was decommissioned by Oxfordshire County Council in 2015 as part of a round of funding cuts. When the hostel closed in February 2016, its 61 beds were replaced by 62 beds provided in shared houses across the city. Oxford City Council acquired Lucy Faithfull House in 2017. As the building was in a bad state of repair and poorly configured for modern use, the council decided it was no longer viable as hostel accommodation and decided to redevelop the site for much-needed housing. Demolition began in April 2018 and was completed that August. The 36 flats on the redeveloped site will be in a single block of four to six storeys, which will include 15 council homes let at social rent, eight shared ownership and three homes at affordable rent. The remaining 10 homes will be for market sale. Lucy Faithfull herself was a social worker, children’s campaigner and founder of the Lucy Faithfull Foundation, a nationwide charity working to protect children from sexual abuse. Joining Oxford City Council as a children’s officer in 1958, she was appointed as director of social services in 1970 and retired in 1974 as local government reorganisation put social care in the hands of a new tier of county councils. She was awarded an OBE in 1972 and became Baroness Faithfull of Wolvercote when she accepted a life peerage in 1976. As Baroness Faithfull, she played a key role in the passage of the Children Act 1989 and later helped to set up the All-Party Parliamentary Group for Children. She also served as a trustee for a number of voluntary organisations, including Barnardo’s and the National Children’s Bureau. She died in 1996. Comment Councillor Alex Hollingsworth, cabinet member for planning and housing delivery, said: “History is literally underfoot in Oxford and excavation on the Lucy Faithfull House site has yielded new insights into our city’s medieval past. The surviving archaeological remains will be protected below the flats for future generations to investigate with new techniques and new questions about Oxford’s rich medieval history.” Oxford City Council archaeologist, David Radford, said: “The former Lucy Faithfull House proved to have been built on extensive modern foundations. Nevertheless, the area in the former courtyard proved to be well preserved and the work by MOLA has produced important new information. I am especially pleased about the details we have learnt about the internal layout of the west range of the friary, which certainly surpassed our initial expectations.” MOLA director of developer services, Sophie Jackson, said: “This year marks the 800th anniversary of
Public asked to give views on key topics including access and inclusion, sustainability, heritage, and jobs People across the UK are being invited to tell the Houses of Parliament Restoration and Renewal Programme what they think about key aspects of the restoration of the nation’s Parliament buildings. The Palace of Westminster is falling apart faster than it can be fixed, with maintenance and ongoing work costs doubling in just three years to more than £125m a year. Essential restoration and renewal work is needed to protect it for future generations. The work to restore and renew the Palace will create thousands of jobs and training opportunities across the UK. As the restoration team continues its work to develop a detailed and costed restoration plan, members of the public will be able to submit ideas and share their views on a range of issues to help inform the plans which are currently under development. Their views will be taken into account alongside those of MPs, Peers, the Parliamentary community and a range of other organisations with an interest in the Palace of Westminster. Sarah Johnson, CEO, Houses of Parliament Restoration and Renewal Sponsor Body said: “The world-famous Palace of Westminster is a national and international landmark, and the cornerstone of our democracy. As we develop the detailed and costed plan to restore and renew the Palace of Westminster we would like to involve people from across the country and give everyone the opportunity to tell us what they think about their national Parliament building.” Leader of the House of Commons Jacob Rees Mogg said: “People will rightly expect the essential work needed to restore and renew the Palace of Westminster to be cost effective to ensure taxpayers’ money is spent wisely. “I welcome all good ideas on protecting our magnificent Houses of Parliament while addressing important issues including making the Palace more accessible for Members and visitors.” Through a new online participation platform, people will be asked how the programme can make the restored Palace of Westminster more welcoming and accessible for Members, staff and visitors. The building does not meet all current guidelines for accessibility, with a wide range of challenges for people with mobility issues and other disabilities, including many areas of Parliament that are impossible to access step-free and without assistance. Members of the public will also have the opportunity to tell the restoration programme what they think about the importance of the 150-year-old Palace of Westminster being a more environmentally friendly and sustainable building. The programme will also ask people about celebrating and preserving the heritage of the Palace, including its world-famous architecture, as well as the potential for archaeological discoveries and how to highlight them. Finally, the public will be asked about how the restoration programme could make sure the thousands of jobs and training opportunities that will be created across the UK can benefit them directly, including considering how the UK-wide supply chain recruits a diverse range of people. People will be able to join in the conversation, starting today until 14 July by visiting the Restoration and Renewal online conversation platform. Members of the public can also share their views by post. The conversation will be centred around the four topics outlined above. There will be more opportunities for people to share views on the restoration and renewal of the Palace of Westminster as plans are developed. The detailed and costed restoration and renewal plan, which will for the first time set out a true sense of costs and timescales, will be considered by Parliament in 2023. The work to develop the detailed and costed plan will include more than 100 investigative surveys, with specialist teams spending thousands of hours analysing the building, including the 1100 rooms and more than 3000 windows. The restoration and renewal team is also continuing to work with Parliament to determine all the functions the building needs to have in future, as well as look at vital improvements in areas like accessibility. With 3000 people typically working in and visiting the 150-year-old building every day, there are a huge number of requirements to consider. Restoring the building will create thousands of jobs and training opportunities across the UK, including through an industry-leading apprentice loan scheme that will see around 160 apprentices, including engineers, designers, stonemasons, and carpenters, employed by the organisations overseeing and delivering the restoration of the Palace of Westminster and loaned to UK businesses working on the restoration.
Leading UK conservation specialist, DBR, restores the Palace of Westminster’s iconic 19th century flooring to its original splendour The Palace of Westminster was built during the Middle Ages as a royal residence to a number of famous—as well as infamous—monarchs. Over time, it became a meeting place for the first members of Parliament, and the first official Parliament of England, or “Model Parliament”, conjugated there in 1295. During the reign of King Henry VIII, a fire ravaged through the royal apartments, followed by an even greater fire three centuries later, which destroyed the rebuilt Houses of Parliament. Only a few notable rooms and structures survived, including Westminster Hall, Cloisters Court, the Chapel of St Mary Undercroft and the Jewel Tower. Only the very best would do when it came to restoring the affected areas. Celebrated architect, Charles Barry, who was known for his use of Italianate architecture, was selected to bring the landmark back to its former glory. Enhancing Parliament’s Encaustic Tiles: A Decade-Long Journey Leading UK conservation specialist, DBR, restores the Palace of Westminster’s iconic 19th century flooring to its original splendour The Palace of Westminster was built during the Middle Ages as a royal residence to a number of famous—as well as infamous—monarchs. Over time, it became a meeting place for the first members of Parliament, and the first official Parliament of England, or “Model Parliament”, conjugated there in 1295. During the reign of King Henry VIII, a fire ravaged through the royal apartments, followed by an even greater fire three centuries later, which destroyed the rebuilt Houses of Parliament. Only a few notable rooms and structures survived, including Westminster Hall, Cloisters Court, the Chapel of St Mary Undercroft and the Jewel Tower. Only the very best would do when it came to restoring the affected areas. Celebrated architect, Charles Barry, who was known for his use of Italianate architecture, was selected to bring the landmark back to its former glory. He chose the talented Gothic Revivalist, Augustus Welby Northmore Pugin, to focus on the decorative elements, including the iconic encaustic tiles, the name of which derives from the Greek word meaning ‘burnt in’, or in this specific context, ‘inlaid’. As an iconic feature of the building’s interiors, looking after the Palace’s tiling became a constant task, and they were continually laid and changed as they became worn or damaged. In 2010, leading UK conservation specialist, DBR, was commissioned to carry out a whole panel replacement trial in a section of St Stephens Hall using a mixture of salvaged and new tiles provided by Craven Dunnill Jackfield. After the trial’s success, the company’s talented stone masons continued the encaustic conservation project throughout the Palace from 2013 until the end of May this year, when restoration of the entire 1500 square-metre space, comprising a staggering 50,000 tiles, was finally completed. Laying the ground for success Introduced at the beginning of the 13th century from France, encaustic tiles became popular in abbeys and royal palaces. As principle architect on the current Palace, Barry had suggested the floors of several Halls, Galleries and Corridors within the building be composed of this prestigious material, embellished with spectacular heraldic symbols. As a public building, heavy footfall, mechanical issues and WWII bomb damages inevitably caused major wear and tear to the flooring over the centuries, leading to the loss of colour and grip. To add yet another complication, Thomas Minton & Sons, the renowned ceramics company and official producer of the encaustic tiles, ceased its production in the 1960s. This meant any tiles manufactured for repairs after this date came from various sources, which couldn’t match the originals. Therefore, a more permanent solution was needed. Rising from the ashes, straight to the challenge When DBR was commissioned by Strategic Estates to undertake this monumental project, its heritage experts realised just how extensive the replacement of tiles had been over the decades. In the late 1970s and early 1980s, as well as trial areas laid in 1998 and 2004, the inconsistency in artwork quality, and reproduction of the original designs, disrupted the continuity of pattern across the floor. Further, replacement tiles used in the latter half of the 20th century were around half the thickness of the Minton originals. The original 25mm tiles were laid in soft mortar and could accommodate movement without cracking, whereas the 20th century ones, at 13mm thick, were designed to be laid on a hard mortar bedding as a floor finish and, as such, were less robust. ©UK Parliament/Jessica Taylor Lastly, previous temporary repairs were carried out using coloured epoxy resins, which was visually unappealing. As a result, some of the tiles had suffered so much damage their inner core began to show. Commenting on the process, Adrian Attwood, Executive Director of DBR, says, “As it receives nearly a million visitors per year, the Palace of Westminster required high-quality restoration work which would involve replicating the exact original design of the tiles and ensuring they would remain intact for as long as possible. “We also had to make sure we could conduct these repairs over the years with minimal disruption to Parliament’s numerous employees and visitors. To do this, we set up a controlled environment, consisting of tents and vacuum air filters, which were designed to protect everyone and everything within the space, including the works of art.” ©UK Parliament/Jessica Taylor Once the tiles were recorded to an agreed methodology, which included a combination of physical and photogrammetric surveys, the project then required a great deal of skill from DBR’s stone masons. They had to work with 1.5 millimetre joints, manage dust and moisture control, carry out repairs to the sub floors to deal with cracks and maintain the fine tolerances in the floor layout. While it was certainly a challenging task, the incomparable craftsmanship of the team—which consisted of the same craftspeople throughout the entire duration of the project—combined with a flexible and collaborative client approach, meant the end result was one of the most successful restorations the
Bristol-based construction firm Beard has completed work on a project to bring two thousand years of heritage to life, for visitors to the historic city of Bath. The Archway Project, comprising a new World Heritage Centre and Roman Baths Clore Learning Centre, has been handed over to Bath & North East Somerset (B&NES) council, which will now focus on the fit-out of the buildings ready for opening later this year. The project represents another key development in the heritage sector for family-run Beard, which has established an impressive track record in the restoration of landmark and historic buildings in the region. Beard was able to draw on that extensive experience and management of complex buildings for the Archway Project, which partly involved working underground to develop the learning centre amongst ancient Roman remains dating back c2,000 years. Mike Hedges, director at Bristol-based Beard, said it was a truly unique project which brought out the best in the team in terms of problem-solving, technical expertise, quality of finish and seamless delivery. He said: “It is extremely rare that anybody gets to go to work everyday among 2,000-year-old remains, which are literally part of the fabric of our nation’s history. “Of course, the Romans were renowned for their innovative building and engineering skills. So as a construction firm with a specialism in the heritage sector, it was a truly unique experience to work among the remains of their construction work. “It is a project that will bring this fascinating part of our history to life for future generations and we’re proud to have played our part in creating the setting and space for that to happen.” Funded by the National Lottery Heritage Fund, the project will provide: • A World Heritage Centre in York Street with free admission, where people can find out why Bath is so special, and pick up trails and guides to help them explore the World Heritage Site • A Roman Baths Clore Learning Centre for pre-booked school and community groups, with three state-of-the-art learning rooms, and a hands-on Investigation Zone set among real Roman remains • New areas of the Roman Baths including a Roman gym and laconicum (a type of sauna) which will be brought to life for Roman Baths visitors by projections and sounds depicting the Roman spa experience B&NES Council Leader Kevin Guy, who toured the Archway Project last week, said: “After a huge amount of hard work by the project team, architects and construction company, it’s wonderful to see the buildings looking so spectacular. There is still more work to be done, but we look forward to opening these three areas to the public later this year.” Richard Samuel, Deputy Council Leader and Cabinet Member for Economic Development and Resources, said: “It’s great news that construction work has been successfully completed and the buildings handed over to the Council. We are now counting down to the opening, when residents, visitors and school children will be able to enjoy these fantastic new facilities and all of the exciting activities that will happen in them.” Councillor Dine Romero, Cabinet Member for Children and Young People, Communities and Culture, added: “About 15,000 school children and community groups are expected to use the Roman Baths Clore Learning Centre every year. The new, purpose-built facilities will improve the quality of their visit to the Roman Baths dramatically, with specially designed learning rooms and a hands-on Investigation Zone which will offer a memorable experience for primary school children.” For more information about the project go to: www.romanbaths.co.uk/archway
Jewish people have had a troublesome history. They were taken into captivity by the Babylonians in the 6th century, occupied by Roman rule for hundreds of years, and even endured the terrifying Crusades that tore many religions and people apart. Of course, the most recent tragedy that the Jewish people had to go through was the tyranny of German dictator Adolf Hitler. His sole mission was to rid the world of the Jewish people as a whole. The horrific outcome of his quest was finally ended, but not without disrupting the lives of millions. Considering this troubled history, it might come as no surprise that tracking Jewish ancestry might be a difficult task. After all, historical records have been demolished over and over. Families have been torn apart and many of the survivors of the holocaust are still unsure of where some of their family roots are. Luckily, with the invention and advancement of technology, there are some tips that you can follow to help you track your Jewish Ancestry. 1. Talk to Family The first step you should always take in looking for your Jewish history is to talk to the various people you have in your family – elderly relatives are a mine of information waiting to be tapped. The names and dates they give you should be written down for future reference. 2. Search Records Of course, we know that the tragedy has destroyed many of the records once available. However, all hope is not lost in that area; research what you can find. 3. Research the Jewish Family Names It is common knowledge that Jewish families were pressured to assimilate into the society they were living in. Many Jewish people lost their cultural identity in an attempt to fit into their new society. However, you can find out a lot of information if you happen to know the traditional Jewish family name of your ancestors. 4. Try a DNA Test In this review of best Jewish ancestry DNA test and trace, you can find all of the information that you need about using DNA to trace your ancestry. There is no doubt that the advanced technology we have available to us can help you learn about your rich family history. 5. Track the Settlement Trends Jewish immigrants were more likely to settle and live their lives in the large cities around the United States where infrastructure could be established. They also tended to populate near other Jewish immigrant families. You might want to track these movements to pinpoint geographical information about your ancestry. Final Thoughts Although there are plenty of major disruptions that have caused Jewish families to lack consistency and be tragically torn apart, it is not entirely impossible to trace family history at this time. In fact, with the advancement of genetic availability and accuracy, your odds of success are better now than they have ever been before. The Jewish community deserves answers about their past and they deserve to know who their living family members are through DNA testing.
LIVERPOOL City Council has appointed a fab team to produce a landmark vision and investment strategy for the epicentre of Liverpool’s musical heritage. A team led by P-IE (Planit Intelligent Environments) has been chosen to deliver a Spatial Regeneration Framework (SRF) for the area around Mathew Street – home of the world famous music venues the Cavern Club and Eric’s. Also encompassing the adjacent Williamson Square area, the framework will enable the council to steer the future use of existing buildings and identify opportunities to attract new investment. P-IE, which has more than two decades experience working on some of the UK’s largest regeneration projects, will deploy their team – comprising urban designers; music historians; destination economists; space-programmers and Planners – to devise a spatial plan which will also embody a new vision document aimed at enhancing the quality of attractions in the area and expanding on the city’s £90m a year music heritage industry – focused around the Beatles – which currently supports over 2,000 jobs. P-IE’s previous work includes the Anfield SRF alongside the design and delivery of the restoration of Stanley Park and the public spaces surrounding Liverpool Football Club’s Anfield Stadium. Outside of Liverpool they were design lead for the award-winning Manchester Residential Quality Guidance and the city’s newest public square – Sadler’s Yard – at the heart of the Cooperative Group’s historic NOMA estate. They are currently involved in strategic and delivery projects across England, Wales and Northern Ireland. The SRF masterplan, which will include consultation with stakeholders, local businesses and residents will explore: A more diverse mix of complimentary building uses that could operate throughout the day and evening An enhanced and more coordinated music tourism offer, focused on Liverpool’s recently awarded UNESCO World City of Music status, with enhanced visitor attractions and interpretation The redevelopment of derelict, under-used and undesirable buildings and sites A diverse and inclusive programme for Williamson Square and the Playhouse Theatre A comprehensive public art strategy, building upon the significant investment LCC has made in the public realm over the last decade A way-finding strategy to make the neighbourhood more legible and permeable Active ground floor uses to create a more vibrant and inviting environment – with an equitable focus on the citizens of Liverpool alongside our international visitors Defining a clearer network of streets and squares – focused on the pedestrian experience The report comes as figures show Liverpool’s hotel sector is also booming, with occupancy levels at record breaking levels, and the number of hotel rooms across the city set to grow by 14% to more than 9,300 over the next two years. A recent economic impact report found that the city’s Beatles related industry has been growing at 5-15% a year following the city’s year as European Capital of Culture in 2008 with Cavern City Tours and the Cavern Club alone now attracting 800,000 visitors per annum and 80% of the Hard Day’s Night Hotel guests classed as international. But a tourism report has found visitors are increasingly looking for a quality experiential visit and there is a clear need to curate not just a Beatles Heritage offer, but a clearer proposition around Liverpool’s status as a city with a pivotal role in the story of popular and contemporary music. Joe Anderson, Mayor of Liverpool, who has also created a Beatles Legacy group, said: “Liverpool’s musical heritage is known around the world but we can and must do more to showcase it to visitors who travel thousands of miles from all corners of the globe because of it. “This is about enhancing and expanding what we already have, particularly around Mathew Street which has been at the heart of the city’s music scene for decades, with venues such as Eric’s and the Iron Door being as influential as the Cavern Club. “This is a unique opportunity to establish an experience no other city can offer, with high quality design which will sustain thousands of jobs in the hotel, retail and hospitality sectors for generations to come. “P-IE have a first class track record in delivering quality design and I am delighted that we have been able to secure their services to carry out this crucial piece of work.” Peter Hooton, Chair of The Beatles Legacy Group, said: “Carl Jung famously said that Liverpool is the pool of life, and it is fitting that he is immortalized on Mathew Street, which has been the beating heart of the city’s music scene for generations. “There is a huge amount of untapped potential around the city’s pivotal role in music, which is why it is vital we seize this opportunity to make the most of it.” Bill Addy, Chief Executive of Liverpool BID Company, which represents 1,500 businesses in Liverpool city centre, added: “Mathew Street is one of the city’s key assets and without doubt one of the world’s most iconic music heritage sites. “The Cavern Quarter sits within the Retail & Leisure BID. Our levy payers located there are determined to improve the visitor offer in the area and I know there has been a concerted effort over the years by the private sector to invest in projects and initiatives to achieve this. “We welcome the SRF and the opportunity it presents in working together to maximise the area’s potential for the good of businesses and visitors alike.” Pete Swift, Managing Director at P-IE, added: “We picked our team not just on their experience in producing design and planning guidance but on their knowledge and passion for Liverpool and its wider musical heritage. “We are local and global – as is the appeal of the Beatles and the immense cannon of Liverpool bands, singers and their music. For us then, this is no ordinary planning project, where we might focus on what a place will look like at the end, but rather how to control the journey along which Liverpool will showcase its rightful status as the most influential music city on the planet.
