Zaha Hadid is the first woman to be awarded the Royal Gold Medal in her own right The Royal Institute of British Architects (RIBA) has today (24 September 2015) announced that the globally-renowned architect Dame Zaha Hadid will receive the 2016 Royal Gold Medal, the first woman to be awarded the prestigious honour in her own right. Zaha Hadid is internationally known for her built, theoretical and academic work. Each of her dynamic and innovative projects builds on over thirty years of revolutionary experimentation and research in the fields of architecture, design and urbanism. Given in recognition of a lifetime’s work, the Royal Gold Medal is approved personally by Her Majesty The Queen and is given to a person or group of people who have had a significant influence “either directly or indirectly on the advancement of architecture”. Awarded since 1848, past Royal Gold Medallists include Frank Gehry (2000), Norman Foster (1983), Frank Lloyd Wright (1941) and Sir George Gilbert Scott (1859). RIBA President and chair of the selection committee, Jane Duncan, said: “Zaha Hadid is a formidable and globally-influential force in architecture. Highly experimental, rigorous and exacting, her work from buildings to furniture, footwear and cars, is quite rightly revered and desired by brands and people all around the world. I am delighted Zaha will be awarded the Royal Gold Medal in 2016 and can’t wait to see what she and her practice will do next.” Born in Baghdad in 1950, Zaha Hadid started her architectural journey in 1972 studying at the progressive Architectural Association in London. She joined her former professors, Rem Koolhaas and Elia Zenghelis, at the Office for Metropolitan Architecture in Rotterdam, where she became a partner in 1977. By 1979 she had established her own practice in London – Zaha Hadid Architects – garnering a reputation across the world for her trail-blazing theoretical works including The Peak in Hong Kong (1983), the Kurfürstendamm in Berlin (1986) and the Cardiff Bay Opera House in Wales (1994). Working with office partner Patrik Schumacher, Hadid’s interest is in the interface between architecture, landscape, and geology; which her practice integrates with the use of cutting-edge technologies – the result is often unexpected and dynamic architectural forms. Hadid’s first major built commission, one that catapulted her rise, was the Vitra Fire Station in Weil Am Rhein, Germany (1993); subsequent notable projects including the MAXXI: Italian National Museum of 21st Century Arts in Rome (2009), the London Aquatics Centre for the 2012 Olympic Games (2011) and the Heydar Aliyev Centre in Baku (2013) illustrate her quest for complex, fluid space. Buildings such as the Rosenthal Center for Contemporary Art in Cincinnati (2003) and the Guangzhou Opera House in China (2010) have also been hailed as architecture that transforms our ideas of the future with new spatial concepts and dynamic, visionary forms. In 2004 Zaha Hadid became the first woman to be awarded the Pritzker Architecture Prize. She has twice won the UK’s most prestigious architecture award, the RIBA Stirling Prize: in 2010 for the MAXXI Museum in Rome, a building for the staging of 21st Century art, the distillation of years of experimentation, a mature piece of architecture conveying a calmness that belies the complexities of its form and organisation; and the Evelyn Grace Academy, a unique design, expertly inserted into an extremely tight site, that shows the students, staff and local residents they are valued and celebrates the school’s specialism throughout its fabric, with views of student participation at every turn. Zaha Hadid’s other awards include the Republic of France’s Commandeur de l’Ordre des Arts et des Lettres, Japan’s Praemium Imperiale and in 2012, Zaha Hadid was made a Dame Commander of the Order of the British Empire. She was made Honorary Member of the American Academy of Arts and Letters and Fellow of the American Institute of Architecture. Zaha has held various adademic roles including the Kenzo Tange Chair at the Graduate School of Design, Harvard University; the Sullivan Chair at the University of Illinois, School of Architecture; guest professorships at the Hochschule für Bildende Künste in Hamburg; the Knolton School of Architecture, Ohio and the Masters Studio at Columbia University, New York; the Eero Saarinen Visiting Professor of Architectural Design at Yale University, New Haven, Connecticut and the University of Applied Arts in Vienna. – ends – Notes to editors 1. For more information, members of the press should contact: Gagandeep Bedi, Press Officer, RIBA: gagandeep.bedi@riba.org or call 020 7307 3814 2. For more information on the Royal Gold Medal, please visit https://www.architecture.com/RIBA/Awards/RoyalGoldMedal/RoyalGoldMedal.aspx 3. The 2016 Royal Gold Medal selection committee comprises of RIBA President Jane Duncan with Sir Peter Cook, Neil Gillespie OBE, Victoria Thornton OBE and the 2015 Royal Gold Medallist John Tuomey. 4. The RIBA champions better buildings, communities and the environment through architecture and our members www.architecture.com @RIBA 5. The 2016 Royal Gold Medal citation, written by Professor Sir Peter Cook founder of Archigram, the 2004 recipients of the Royal Gold Medal, follows: In our current culture of ticking every box, surely Zaha Hadid succeeds, since (to quote the Royal Gold Medal criteria) she is someone “who has made a significant contribution to the theory or practice of architecture…. for a substantial body of work rather than for work which is currently fashionable.” Indeed her work, though full of form, style and unstoppable mannerism, possesses a quality that some of us might refer to as an impeccable ‘eye’: which we would claim is a fundamental in the consideration of special architecture and is rarely satisfied by mere ‘fashion’. And surely her work is special. For three decades now, she has ventured where few would dare: if Paul Klee took a line for a walk, then Zaha took the surfaces that were driven by that line out for a virtual dance and then deftly folded them over and then took them out for a journey into space. In her earlier, ‘spiky’ period there was already a sense of vigour that she shared with her